A NEON release.Ĭlosed captions available with our capti-view devices.Įnjoy 10% off beer and wine at Indie Food and Wine when presenting your ticket (digital or printed) for FLC programming. Follow Tilda Swinton on a strange supernatural journey into the Colombian jungle, in this hypnotic new film from the director of Uncle Boonmee.
Winner of the Jury Prize at the 2021 Cannes Film Festival. Thus begins a personal journey that’s also historical excavation, in a film of profound serenity that, like Jessica’s sound, lodges itself in the viewer’s brain as it traverses city and country, climaxing in an extraordinary extended encounter with a rural farmer that exists on a precipice between life and death. Inspired by the Thai director’s own memories and those of people he encountered while traveling across Colombia, the film follows Jessica (a wholly immersed Tilda Swinton), an expat botanist visiting her hospitalized sister in Bogotá while there, she becomes ever more disturbed by an abyssal sound that haunts her sleepless nights and bleary-eyed days, compelling her to seek help in identifying its origins.
Memoria movie free#
Free Outdoor Screening: The Wiz (September 2)Ĭollective and personal ghosts hover over every frame of Memoria, somehow the grandest yet most becalmed of Apichatpong Weerasethakul’s works.Hallelujah: Leonard Cohen, a Journey, a Song (Through Thursday).
Memoria movie how to#
Find the cheapest option or how to watch with a free trial.
But, bear in mind that, despite those near-tortuous silences, you’ll find yourself strangely captivated. It’s a baffling puzzle of a film, and that’s part of its fascination. Swinton’s Jessica has a difficult job describing it to a sound technician and she has our sympathy. And that mysterious noise could be almost anything – the thud of doom, the menace of mortality. Perhaps the sense of isolation that surrounds Swinton’s character is the key to it all. On what? While its cinematography and sound cradle your attention, you’re never quite sure what it all means and the end result is a film which celebrates its obscurity and downright weirdness, but doesn’t give you too many pointers as to its meaning. From the extraordinary mind of Palme Dor winning director Apichatpong Weerasethakul, and starring Academy Award winner Tilda Swinton, comes a bewildering. With its pace and resultant dream like quality, Memoria feels very much like a meditation. And then there’s the noise itself, which has an almost cheeky habit of making its presence felt just when you least expect it or, to put in another way, when you’re in danger of nodding off. Who knew there were so many shades of green? It all helps move the film along – it doesn’t have a narrative to speak of – and keeps a tenuous hold on our attention. Especially beautiful are the gloriously luscious tropical surroundings.
Memoria movie full#
While the snail-like pace has its downside, it does allow us the luxury of taking time to absorb the film, both visually – the tiniest, most intricate of details which may, or may not, be clues to the origin of the mysterious sound – and aurally, with its apparent peace full of delicate sounds, some so subtle that they almost blend into the background. Even more strangely, it seems exclusive to her because, when she hears it, nobody else bats an eyelid. Not the proverbial bump, but something loud and disturbing and, even though she gives it little thought initially, it returns repeatedly, in a variety of settings. Tilda Swinton is Jessica, an expat who is suddenly woken up in the middle of the night by a strange noise. He also returns with that familiar contemplative pacing which at times comes perilously close to being snooze-worthy in what is billed as his first English language film – in truth a mixture of Spanish and English – set in Colombia. No Palme D’Or this time, but the Jury Prize instead to take home. Last year, he returned to the scene of his triumph, this time with Memoria.
Memoria movie tv#
He didn’t rest on his laurels over the next decade, with around 20 varied projects – shorts, TV movies and full length features. Back in 2010, Thai director Apichatpong Weerasethakul was the toast of Cannes, with Uncle Boonmee Who Can Recall His Past Lives scooping the Palme D’Or.
0 kommentar(er)
